But more important than all this is the undeniable fact that working with a woodblock takes on the aspects of a struggle between antagonists. The wood is reluctant, the artist determined, and it is reasonable to suggest that the battle of wills brings about a result quite different from those media in which the hand of the artist moves brush or pencil or crayon freely over the working surface. With wood, every movement of the tool involves overcoming resistance and demands the use of a certain amount of sheer physical force. Every block and every subject is a new challenge. The result is an emotional attachment between man and material that, enduring over the years, somehow takes on the character of an addiction, or a love affair, or something similarly irrational. At any rate, there is no known cure.
Lynd Ward, “The Way of Wood Engraving”

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